Today at work, I sat at the Black Kawai piano, playing for the dancers as they rehearsed their ballet combinations. I love choosing the songs from my repertoire list, and making them sound distinctly different and interesting each time I play them. I experiment with different chords and styles, and it keeps the long day interesting for me. However, I was immediately disappointed this morning, when I found that the low “G” on the piano was not working. It really put a damper on the music. If I meant for G to be the bass note, it sounded as though someone hit the “mute” button for a split second and disrupted the flow. I was too focused on avoiding that G and playing the lower octave, that I couldn’t concentrate on the overall cohesion of the piece. The longer I played, the more frustrated I became. Now no one will ever know just how beautiful Mozart’s Sonata K. 331, theme from the First Movement really is , I thought with dismay. When I mentioned it to the office so they could call a ...