For a performer, there is no greater feeling of anticipation and excitement than in those moments before "show time." I am fortunate to be part of the debut show by Nathan Lucrezio, "Unheard." A short 2 weeks ago, I received a phone call out of the blue from someone I worked with a year and a half ago on my very f irst New York City gig . They needed a last minute replacement pianist for a new musical and there was no written sheet music - and only 2 weeks until opening night. I spent the next several days transcribing music and chords from recordings and watching the hands of the musical's composer, Lucrezio, play the songs for me. In typical show business fashion, everything came together at the last minute, with our first and only complete run through finishing 2 hours before curtain. Opening night was a success. The audience was pleased. Eddie my dedicated fan and honest critic, had nothing negative to say and found himself tapping his foot along with the